Reality is optional

Fewer restrictions. More control. Real-time results.

Whether in-camera or in-engine — creating exactly the content you need.

From concept to camera — stories are shaped to match format, audience and platform.
Whether for a brand film, live show or virtual scene, ideas are developed to remain flexible and visually compelling throughout production.
Fewer limits. Faster feedback. Real-time control.
With LED stages, tracked cameras and dynamic environments, creative decisions happen live — improving pace, precision and visual consistency.
Where classic infrastructure meets modern tools.
Multicam, SDI workflows, real-time graphics and virtual sets can be combined without disrupting broadcast pipelines — adding flexibility, not friction.
Location is no longer a barrier.
Remote direction, cloud reviews and hybrid workflows allow global teams to collaborate seamlessly — ideal for distributed productions or tight timelines.
Ideas, spaces and products can be staged — even before they exist.
Virtual environments allow for visualizing hard-to-access locations, future formats or products that are still in development.
Complex setups made simple.
From camera tracking to LED configuration, technical workflows are designed to support the creative process — with scalable solutions that match the project's scope.

It started with Jurassic Park. Not the dinosaurs — but the way those worlds felt real. As a kid, I wasn’t dreaming of acting in them; I was dreaming of building them. That sense of awe turned into a drive to understand how things are made — frame by frame, layer by layer. Today, I work at the edge of real and imagined spaces, blending cameras, code, actors and creative intent to help others bring their own visions to life.

Whether it’s a traditional shoot, live multicam setup or a fully virtual scene, I build workflows that keep ideas flowing and productions moving — sometimes with my own team, sometimes as part of yours.

Over the past years, I’ve worked internationally across Europe, Asia and North America — not just producing content, but learning behind the scenes from some of the world’s leading studios and broadcasters. That experience now shapes how I approach every project: with clarity, adaptability, and a focus on content that stands out in a world where most of it doesn’t.

Based in Cologne, Germany — currently probably somewhere else. Creating content worldwide for projects that don’t just fill time.